This month’s poetry film club looks at the relationship between images and words.
In the first half we are all going to make a poetry film by adding words to ‘Seven Risings’, a film created by artist Ben Glatt and composer and musician John Pendlington. This is going to be a fun and interesting way of understanding how the words work with the images!
In the second half we will view the new film and also a trio of poetry films made in collaboration with Lucy English and various filmmakers for her Book of Hours project. All these films were inspired in someway by visual images.
As usual there will be time for discussion, and creative exchanges.
Wendy Allen’s debut pamphlet, Plastic Tubed Little Bird, was published in 2023 by Broken Sleep. She is a PhD candidate at Manchester Metropolitan University. Her pamphlet, Portrait in Mustard will be published in October 2024 by Seren.
Catherine Balaq
Catherine Balaq is a writer and body psychotherapist. Her work has been shortlisted for the Bridport Prize and nominated for the Pushcart and Forward Prize.
In 2022 Catherine was a recipient of The Poetry School MA scholarship. Her poetry play ‘Fuck the Moon’ was commissioned by Paper Nations and short-listed for the Bristol Old Vic Open Sessions 2019.
She is co-editor of Black Cat Press. Her debut collection ‘animaginary’ was published in July 2023 and was nominated for the Seamus Heaney Prize for first collection and the Pen Heaney Prize. Her second collection ‘Deathless‘ is published with Verve. Catherine also writes novels.
(Shouted) Derek! They’ve stolen the geraniums again that’s the biggest I’ve ever seen You’ve snatched the world up of precious solitude which you have been craving for so long and realised it was in fact loneliness A life of collaborative A Level anxiety
Isn’t it rude to leave at the interval after you’ve read every fucking time leaving behind nothing but the faint whiff of an old fart? Liberation for Palestine is liberation for us all. Ask yourself what you are doing at this moment If I hadn’t written this would have you? I spent the day horizontal in the park
Please improvise this line and don’t just read out this To be cringe is to be free, apart from if you’re me right now in this exact situation There is nothing so bloody wonderful as genuine warmth and encouragement, and there is so much love here Rim Tim Tag I dim But to see you again would destroy the memory Marz
Lily Redwood lives off-grid in South Wales with her husband and two children. She writes about the everyday extraordinary from the political to the poetical. Lily combines spoken word with tender verse, which comes alive through her live performance. She has recently been Cheltenham Poetry Festival Slam Finalist and the Bristol Milk Poetry Slam winner.
Most of her poems are written on the notes app hiding in the toilet from her two children, or scribbled on the back of a shopping list, whilst burning the dinner.
Lily’s debut pamphlet, You Make Me Think of Swifts, is an unflinching and raw voice for motherhood, it is out now with The Collective Press.
Lily’s work has been described described as: “visceral, loving and brave”.
You can find lily online – @lilyredwoodpoet
Jay is a straight edge poet who writes on neurodivergence, gender, and the love of hardcore punk; doing so like he’s authoring an early 2000s emo LiveJournal post.
Since starting to perform in the spoken word scene a year ago, he has competed in UniSlam and Lyra Fest; and frequently haunts poetry events across Bath and Bristol
Joelle Taylor is the author of 4 collections of poetry. Her most recent collection C+NTO & Othered Poems won the 2021 T.S Eliot Prize, and the 2022 Polari Book Prize for LGBT authors. C+NTO is currently being adapted for theatre with a view to touring. She is a co- curator and host of Out-Spoken Live at the Southbank Centre, and tours her work nationally and internationally in a diverse range of venues, from Australia to Brazil. She is also a Poetry Fellow of University of East Anglia and the curator of the Koestler Awards 2023. She has judged several poetry and literary prizes including Jerwood Fellowship, the Forward Prize, and the Ondaatje Prize. Her novel of interconnecting stories The Night Alphabet will be published by Riverrun in Spring of 2024. She is a Fellow of the Royal Society of Literature, and the 2022 Saboteur Spoken Word Artist of the Year. Her most recent acting role was in Blue by Derek Jarman, which was directed by Neil Bartlett and featured Russell Tovey, Jay Bernard, and Travis Alabanza. Blue sold out its run across the UK and more dates are expected for the future.
Bradley Taylor
Bradley is the winner of Satellite’s recent Summer Slam.
When we asked Bradley for a bio, all he wrote was: ‘Bradley Taylor (he/him) is a poet from Birmingham. Apologies.’
Join us on the 21st of August 2024 for Satellite of Love’s second ever poetry slam. Twelve competitors will put their words to the test in a battle of who-can-impress-three-selected-poets unlike anything you may have seen before*.
The winner of our slam this year will receive a paid 10 minute feature slot at our event on the 25th of September, supporting UK poetry legend, Joelle Taylor. Entry requirements: 14+
Sophie is a performer and poet based in Weston. She runs the Rhyme Against the Tide poetry slam in Weston and recently hosted to South West Showdown (Weston v Bristol v Clevedon v Exeter) at the Wardrobe. She is a poetry slam enthusiast and can’t wait to see what the poets at Satellite of Love have in store.
Emma Taylor
Emma Taylor is a multi-slam-winning spoken word artist, event organiser, and performer based in Bath. She is a Bristol Slam Champion, Coaches SLAM 2024 winner, and placed 2nd in the Farrago UK Slam Championship 2023. Her debut pamphlet, ‘Bed and Breakfast’ launched on the 25th April 2024 and is available via her website & and in selected bookstores now!
Emma has failed her driving test seven times. She maintains that she is simply ‘too bisexual to drive’.
Kathryn O’Driscoll
Kathryn O’Driscoll is a queer, disabled poet, mentor and editor from Bath. She was the 2021 U.K. Poetry Slam Champion and a World Slam Finalist and has been a judge for the U.K. Slam Finals for the past three years.
Malaika Kegode is an award-winning writer, performer, creative producer and Associate Director at Theatre Royal Plymouth. She is based in Bristol and Plymouth. Her work is focused on uplifting and celebrating the overlooked and misunderstood. Beginning her arts career as a performance poet in 2014, Malaika has since developed her practice to encompass theatre, radio and film writing. She is a vocal advocate for creativity as a tool for healing and connection.
Winner of the Kevin Elyot Award (2022) and shortlisted for the Out-Spoken Poetry Award (2019), Malaika has also been included in the BME Power List, celebrating Bristol’s most influential Black & minority ethnic people, and was a 2021 recipient of the Apples & Snakes Jerwood Arts Poetry in Performance Award. She has performed around the UK at a number of celebrated venues, festivals and literary events, including The 100 Club, WOMAD and Hay Festival, and has worked with a wide-range of organisations as a writer, teacher and performer.
Malaika has been performing with folk-inspired prog-rock band Jakabol since 2018. Together they have performed at music and theatre venues alike – bringing a unique, exciting blend of poetry and music to diverse audiences. In 2021, Malaika and Jakabol collaborated on Outlier, which became the first piece of new writing produced for Bristol Old Vic’s main stage in 2021. Directed by Jenny Davies, Outlier fuses spoken word, original music and digital projection by Christopher Harrisson to tell Malaika’s autobiographical coming-of-age story of friendship, isolation and addiction in rural Devon. The show received critical success and fantastic audience reaction, and returned for a second run at Bristol Old Vic in 2022. The playtext for Outlier is published by Salamander Street.
Tackling themes as wide ranging as incel culture and identity in the internet age to millennial queerness and dinosaurs, Malaika’s writing has been performed around the country, including at Lyric Hammersmith, Watford Pumphouse, and Barbican Theatre Plymouth. She is an associate artist for Bristol Old Vic, part of the 2023 English Touring Theatre Nationwide Voices cohort and the current writer-in-residence at University of Bristol Theatre Collection.
As a workshop leader and mentor, Malaika has worked with organisations such as Arvon, Synergy Theatre Company and Narcotics Anonymous. As a trauma informed facilitator, she has specialised in running workshops with young and/or vulnerable people to help them realise the value of their stories. Many of the individuals Malaika has mentored have gone on to forge exciting and fulfilling careers in the arts.
Malaika has also worked film, and was the 2021 recipient of the the Eslpeth Kydd Memorial Prize for her screenwriting portfolio. She has been a curational associate for Watershed, a resident artist for Encounters Film Festival, and programme selector for a number of film festivals including Queer Vision and Tallinn Black Nights.
In 2015, Malaika founded, and continues to be artistic director and host of, Milk Poetry, an organisation that produces innovative spoken word gigs and workshops in a supportive environment across the South West, with monthly events at The Wardrobe Theatre in Bristol.
Other projects as writer and/or producer include: Rot. (tiata fahodzi); Field Notes (BBC Radio 4); Hear Her Voice (Neoteric Dance Company); Own Skin (Random Acts); The Best Ones (Inn Crowd); SheSpoke (Strike a Light); Level Up (Blahblahblah); Gloucester Slam Heats (Roundhouse); Finding Queerness in Kenya (Modern Queers); We are Not All Each Other (Black Ballad); Return to Form (Loud Poets); and her poetry collections Requite, Thalassic and Body Buffet.
Current projects include: The Colour of Dinosaurs (OTIC, Bristol Old Vic & Polka Theatre); The Combe (English Touring Theatre); Ruby, Baby (with thanks to the Kevin Elyot archive at University of Bristol Theatre Collection).
Jemma Hathaway Book Launch Friday 7th June Doors 7pm for 7.30pm on the Lightship
Jemma Hathaway likes to put words next to one another and see if they hit it off. Her poems have been featured on BBC Radio Bristol, BBC iPlayer and @bbc on Instagram. Jemma is a multiple slam-winner, was the 2020 Hammer & Tongue champion for Bristol and is a Button Poetry Short Form contest winner.
Jemma has supported Joelle Taylor, Jasmine Gardosi and Roger McGough, performed at the Royal Albert Hall and appeared on Sky Arts Life & Rhymes. She self-published her first poetry pamphlet, January in 2021. Her poems are a sticky dancefloor for the ongoing dance-off between her head and her heart. She hopes you like her moves.
About The Book
I’ve been looking everywhere for you is full of big four-letter things – life, love, loss, time and ultimately, hope. It’s a book of hellos and goodbyes, bad days and blessings, it is a healing and a homecoming … and it hopes to come home with you.
These poems take us from melanin to mountains, from stars to submarines, from hard times to soft words and set us down somewhere in that healing space between far-off galaxies and close-up magic.
This collection longs to be read in a different light – the light of midnight porches, of torches beneath blankets, of lighthouses that exist solely to warn you away from the rocks. All the lights that say, there you are. I’ve been looking everywhere for you.
‘Big things happen in small moments, writes Jemma Hathaway, and proceeds to show us just how much life can be found stuffed in the cracks of our existence.
Casting a witty, irreverent eye over the subject of her poems, Jemma chooses a playful touch which enables her to explore serious subjects without ever feeling worthy or preachy. The collection doesn’t shy away from the world’s sharp edges- racial microaggressions, homophobia, grief and mental health are some of the things she touches upon- but remains ultimately and defiantly hopeful.
The imagery swings between the expansive and the everyday, where melanin holds light like Galileo’s telescope holds the moon and Queer lives are singing kettles. Throughout, Jemma reminds the reader that love in all its various, ridiculous, wonderful forms exists in the most mundane of places.’ Kat Lyons
‘Jemma Hathaway is a beacon of light guiding you back home to yourself. Her collection is unapologetically itself and encourages you to be the same. Metaphors and similes soar, seeking to be deciphered into insightful notes of acceptance, reminding you you’re alive, and deservedly so. A vivid, compelling and compassionate collection.’ Jemima Hughes
Jemma will be supported on the night by three fantastic poets from the South-West:
Kathryn O’Driscoll Kathryn O’Driscoll is a queer, disabled poet, mentor and editor from Bath. She was the 2021 U.K. Poetry Slam Champion and a World Slam Finalist. She was longlisted for the Disabled Poets Prize and the Outspoken Prize for Performance Poetry in 2023, and the Saboteur Award for Best Spoken Word Artist in 2022. In 2021 she was one of the featured poets on the (BAFTA winning) Sky Arts spoken word TV show Life and Rhymes. Her debut collection ‘Cliff Notes’ is available from Verve Poetry Press.
Jo Eades Since her first performance set at the inaugural Hotwells Festival of words in 2021, Jo has become a regular on the Bristol spoken word scene. She has been featured four times on BBC Radio Upload, performed on the Milk Poetry stage at Valleyfest and was headliner for Heron Books anniversary celebration last Christmas. In 2023 she won both a Rhyme Against the Tide and Milk Poetry Slam and in April this year, won the Lyra Poetry Festival Grand Slam.
Jaidah Jaidah’s written & spoken works are undeniably compelling, ask questions of us collectively & hold the primary focus of advocating alongside promoting human welfare & connection. Jaidah’s journey into writing started 3 years ago in a sanctuary of solitude, which stimulated vastly journeying the world within herself & most importantly she has been inspired by listening to the language nature speaks. Vulnerable yet powerful Jaidah’s quiet commanding presence & delivery are outward reaching & embody a courage built through her own hard-won experience. Continuously thought provoking, her words are colourful & within those colours live the essence of divine human nature.
I live in a dustbin littered with gold You can tell its art-my Grandfather said- because there are no people in it I was watching Line of Duty
Drop, beat, drop, beat, drop
Time flies The beautiful smallness you feel when gazing up at the sky and realising, somewhere up there, is a boat that never moves Its behind you
Drop, beat, drop, beat, drop
Love is a verb Gravy Clit Ramen Telling talk from mutter is like telling Stork from butter
Drop, beat, drop, beat, drop
On the bad days, please read this Your legacy is not yours- I think about profiting from your death more than I probably should
Lou Reed- As I entered a lock on my Satellite of Love !!! narrow boat xx I am begging Mars to write a line, I tell them, the poem needs them, he needs you satellite circling a satellite of love.
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